George Washington at Princeton, 1777
oil on canvas
signed Chappel and dated 57 (lower right)
24 x 18 inches.
Auburn, Alabama, The Jule Collins Smith Museum of Fine Art at Auburn University, Auburn Collects: The Noel and Kathryn Dickinson Wadsworth Collection, March 13-May 21, 2004.
Auburn Collects: The Noel and Kathryn Dickinson Wadsworth Collection, (Auburn Alabama: The Jule Collins Smith Museum of Fine Art at Auburn University, 2004), p. 18, pl. 4.
This painting by Chappel is one of his most well-known works. The painting was so well received that is was printed by New York publishing firm Johnson, Fry & Company, within the year that it was executed. Additionally, the image is also reproduced in Volume 1 of Life and Times of Washington by Schroeder-Lossing.
Provenance:Property from the Collection of Noel and Kathryn Dickinson Wadsworth, Atlanta, Georgia
Noel and Kathy Wadsworth’s appreciation of American history was captured through their fine art, furniture and decorative arts collection.
Noel and his late wife, Kathy, are among the original founders of the Auburn Fine Arts Museum, contributing the gallery that bears their name: The Noel and Kathryn Dickinson Wadsworth Gallery. A portion of their art collection was loaned to the museum and featured in the exhibition, Auburn Collects. The Wadsworth’s curated collection was also featured in Time magazine in the early 1980s.
The couple met at Auburn University and were members of the first graduating class in June 1960. Following graduation, they moved to Dalton, Georgia, the epicenter of the American Carpet Industry, where Noel’s career and their family thrived. Philanthropic and community-minded, they eventually settled in Atlanta, Georgia and filled their Marietta home with a collection that spanned from the American Colonial period through Art Nouveau.
An interest in American art grew after traveling to exhibitions, fairs and auctions in New York, New Orleans, London, and Paris. The couple collected mostly American fine art from the late 19th and early 20th century with a focus on Ashcan school artists. The Wadsworth’s, however, felt important European artists who were friends of the American artists represented in their collection were also needed to convey the full story of the period. The result became a lifelong decorative and fine art collection that reflects the eye of discerning collectors and will be offered through multiple auctions at Hindman this spring.
Frame 35 5/8 x 29 5/8 inches.
Relined canvas, on a newer stretcher. Old craquelure, stable. In-painting in some areas, mostly in the upper portion of the canvas and at center, and including on figures and the horse.
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