Lot # 1

ARNALDO TAMBURINI (ITALIAN, 1843-1908),

A Good Vintage
oil on canvas
signed and dated 1877, u.r.
18" x 13.5". (EST $1000-$2000)

Condition: Minor craquelure, newer frame, otherwise the work is in fine condition.

Lot # 2

ALFREDO DE SIMONI (ITALIAN, 19TH CENTURY),

On the Road
oil on canvas
signed and inscribed Roma l.l.
12" x 22.5" (EST $800-$1200)

Condition: In bright, cleaned condition. Canvas is backed by cardboard but not laid down. May have been trimmed along perimeter.

Lot # 3

PAOLO SALA (ITALIAN, 1859-1929),

Woman Descending Staircase
oil on canvas
signed l.l.
15" x 11.25" (EST $1500-$2500)

Lot # 4

LARGE ITALIAN SCHOOL PORTRAIT BY MAZZONI

Maiden with Roses
oil on canvas
signed Mazzoni l.r.
housed in elaborate gilt and gesso frame
39.25" x 25" (EST $1000-$2000)

Condition: Previously cleaned, frame in excellent condition.

Lot # 5

VINCENZO CANINO (ITALIAN, 1892-1978),

Italian Marina
oil on canvas
signed l.r.
21.5" x 32" (EST $1000-$1500)

Condition: Excellent condition.

Lot # 6

BELISARIO GIOJA (ITALIAN, 1829-1906),

Egyptian Woman
watercolor on paper
signed and inscribed Roma, l.r.
18" x 12.75" (EST $600-$900)

Condition: Fine condition.

Lot # 7

ENRICO TARENGHI (ITALIAN, 1848-1938),

The Pottery Merchant
watercolor on paper
signed l.r.
14" x 20.5" (EST $3000-$5000)

Lot # 8

ENRICO TARENGHI (ITALIAN, 1848-1938),

Refreshments
watercolor on paper
signed l.r.
20.75" x 14.25" (EST $3000-$5000)

Condition: Blemish lower right, some minor perimeter toning; colors strong.

Lot # 9

OTTO TILCHE (BRITISH, XIX-XX),

Arabs in the Desert
watercolor on paper
signed l.l.
early Schneider gallery label on verso
9.5" x 19.5" (EST $400-$600)

Condition: Excellent condition.

Lot # 10

GEORGE SMITH (ATTRIBUTED) (BRITISH, 1829-1901),

Flute Player
oil on paper board
signed and dated G. Smith, 1857, l.r.
early Manchester label and London stamp on verso
13.5" x 9.5" (EST $1000-$2000)

Condition: Previously cleaned, newer frame.

Lot # 11

HENRY H. PARKER (BRITISH, 1858-1930),

The Eden Near Carlisle
oil on canvas
signed l.l.
title and repeated signature on canvas verso
19.75" x 15" (EST $2000-$3000)

Condition: Fine condition, only one tiny dash of inpainting on right center.

Lot # 12

JOHN CHARLES MAGGS (BRITISH, 1819-1896),

The La Belle Sauvage on Ludgate Hill
oil on canvas
signed and dated 1884, l.l.
a pair of early labels on verso stretcher, along with inscription repeating title
Gate House conservator's label on verso
13.5" x 25.5" (EST $1000-$2000)

Condition: Under blacklight, one circular area of inpainting lower right, other very minor areas of inpainting along building. Full conservation report can be viewed on label.

Lot # 13

JOHN CHARLES MAGGS (BRITISH, 1819-1896),

The White Horse Inn, Ipswich
oil on canvas
signed with Bath, 1883, l.l.
a pair of early labels on verso, including one historical summary of the White Horse Inn
conservator's label on verso
13.75" x 25.75" (EST $1000-$1500)

Condition: Minor scattered inpainting, previously cleaned and varnished professionally. For more detailed information, see image of reverse label.

Lot # 14

JOHN CHARLES MAGGS (BRITISH, 1819-1896),

The Tabard Inn on Borough High St.
oil on canvas
signed l.l.
a pair of early labels on verso stretcher, one with historical summary of the Tabard Inn
conservator's label on verso
13" x 25.5" (EST $1000-$1500)

Condition: Scattered inpainting, previously cleaned and varnished.

Lot # 15

ROWLAND LANGMAID (BRITISH, 1897-1956),

Three Watercolors

London Bridge
titled and signed l.r.
4" x 11.5"

Tower Bridge
titled and signed l.r.
3.5" x 11.5"

London Bridge
titled and signed l.l.
label on verso reading: "London Bridge"/ R. Langmaid., R.N./ With Dutch Eel Boats which since Elizabethan days have traded regularly between Holland and the Port of London
5.5" x 10.5" (EST $1000-$2000)

Condition: Each work is housed in a contemporary frame and under glass. First two described with early Closson's Gallery labels.

Lot # 17

CHARLES WISSANT (BRITISH, ACT. 1869-1876),

Pair of Seascapes
each watercolor on paper
each signed l.r.
first measuring 4.5" X 7.5
second measuring 3.75" X 8.5" (EST $500-$800)

Lot # 18

JOHN ROBERTSON REID (BRITISH, 1851-1926),

The Little Nab on the Yorkshire Coast
oil on canvas
signed and dated 1916, l.r.
title and repeated signature inscribed on verso
early London framer's label on verso
16" x 30" (EST $1500-$2000)

Condition: Only minor craquelure, recently cleaned and in fine condition. Housed in a period gilt and gesso frame.

Lot # 19

WILLIAM CHARLES RUSHTON (BRITISH, 1860-1921),

Valley of the Aire, Bingley
oil on canvas
signed l.l.
titled on verso
12" x 20" (EST $800-$1000)

Condition: Fine condition.

Lot # 20

WILLIAM CLARKSON STANFIELD (ATTRIBUTED) (BRITISH),

Coastal Scene
oil on canvas
signed and dated 1865, l.r.
23.5" x 36" (EST $1000-$1500)

Condition: Even craquelure, one single patch on verso and three small areas of inpainting in upper left, each approximately 1 1/2 inches in diameter.

Lot # 21

ANTOINE BLANCHARD (FRENCH, 1910-1988),

View of the Arc de Triomphe from the Champs-Elysees
oil on canvas
signed l.r.
19.5" x 23.5" (EST $1500-$2500)

Lot # 22

JEAN REMY (FRENCH, B. 1893),

Rue Salande, Paris
oil on canvas
signed l.r.
title inscribed on verso
23.5" x 18" (EST $1000-$1200)

Condition: Fine condition.

Lot # 23

GEORGES BRIATA (FRENCH, B. 1933),

Les Matraquis
oil on canvas
signed and dated 69, l.l.
32" x 39" (EST $800-$1200)

Condition: Excellent condition.

Lot # 24

JEAN FUSARO (FRENCH, B. 1925),

Les Joutes, The Games
oil on canvas
signed l.l.
12.75" x 20"

Accompanied by exhibition pamphlet. (EST $3000-$5000)

Condition: With perimeter relining, not affecting entire canvas.

Lot # 25

ROGER MONTANE (FRENCH, B. 1916),

Village in Provence
oil on canvas
signed l.l.
17.5" x 21" (EST $600-$900)

Condition: Fine condition.

Lot # 26

RAYMOND TIBESART (FRENCH, 1874-1968),

Printemps Vallee de la Seine
oil on canvas
signed l.r.
title inscribed on canvas verso
several labels from previous owners on verso
23" x 31" (EST $1000-$1500)

Condition: Some spotty area of inpainting in the sky, very faintly applied, otherwise very good condition.

Lot # 27

ROBERT CHAILLOUX (FRENCH, 1913-2006),

Still Life with Apples, Pears, and Pottery
oil on canvas
signed l.l.
certificate of authenticity on verso
23.25" x 28" (EST $1000-$1500)

Condition: Fine condition.

Lot # 28

JÒZSEF MOLNÁR (HUNGARY, D. 1899) (ATTRIBUTED),

In the Forest
oil on canvas
signed Molnár, _(indistinctly), München and dated 1879, l.r.
45" x 37" (EST $1000-$2000)

Condition: Only two small dashes of inpainting in upper center, conserved by the Fort Wayne Museum of Art. An outstanding painting with a difficult signture.

Lot # 29

JULES BENOIT-LEVY (FRENCH, 1866-1925),

Conversation in the Street
oil on canvas
signed l.r.
several labels on verso, including a pair of French exhibition labels from Bayonne
78.5" x 61.5" (EST $1000-$2000)

Condition: Only a few small dashes of inpainting left center, the painting is otherwise completely untouched and in good condition. Unframed, could stand a light cleaning.

Lot # 30

ROBERT JOHN WICKENDEN (CANADIAN, 1861-1931),

Young Beauty
oil on canvas
signed, dated 87, and with location Paris, u.r.
a pair of old labels on verso identifying artist and location
housed in original gilt and gesso frame
16" x 12.5" (EST $700-$1000)

Condition: Minor, even craquelure, two small areas of inpainting- 1.) 1/2" area underneath chin and 2.) small 1" diameter area in left center background.

Lot # 31

ANNA SATTLER-SEIGERSCHMIDT (AUSTRIAN, 1873-1962),

Still Life
oil on panel
signed l.r.
label on verso with indistinct title
16" x 18" (EST $800-$1200)

Condition: A few minor flakes, could stand light cleaning.

Lot # 32

KARL HEINER (GERMAN, XIX-XX),

Still Life within Landscape
oil on masonite
signed l.r.
19.75" x 15.5" (EST $400-$600)

Condition: Previously cleaned and in excellent condition, strong, vibrant color.

Lot # 34

GUSTAV KLATT (GERMAN, B. 1861),

Evening Autumn Landscape
oil on canvas
signed l.l.
19.5" x 28.5" (EST $600-$900)

Condition: Excellent condition, heavy varnish likely added during execution to enhance evening effect.

Lot # 35

LEON LUNDMARK (SWEDISH/AMERICAN, 1872-1942),

Stormy Evening Seascape
oil on canvas
signed l.r.
16" x 20" (EST $400-$600)

Condition: Minor craquelure; overall good condition.

Lot # 37

SPANISH SCHOOL LANDSCAPE,

19th century
oil on canvas
unsigned
23" x 35.5" (EST $500-$700)

Condition: Fine condition.

Lot # 38

EUGENE JOSEPH VERBOECKHOVEN (BELGIAN, 1798-1881),

Grazing Sheep on a Hillside
oil on wood panel
signed and dated 1879, l.l.
15" x 21.5" (EST $1500-$2500)

Condition: Minor craquelure, most noticeable in sky; previously cleaned and with applied inpainting in a few areas on the upper perimeter, likely a result of frame rub. Signature area has been aggressively cleaned and approximately 10-15% of the lettering has been reapplied, but the majority of the signature is intact and original to the execution of the painting.

Lot # 39

MANNER OF AELBERT CUYP (BRITISH, 1620-1691),

Landscape with Cattle and Shepherds
attributed 18th century
oil on canvas
signed A. Cuyp, l.r.
a pair of early labels on verso, including one with inscription ending in: our deaths, it may be left to Frederick Pigore/ signed Elizabeth Pigore and another handwritten inventory label
28.5" x 39.5" (EST $8000-$10000)

Condition: The painting has been relined, possibly twice; inpainting evident under blacklight in some areas, in some cases along perimeter of cattle; craquelure in areas.

Lot # 40

FREDERICK CASEMERO TERRY (ATTRIBUTED) (AUSTRALIAN, 1825-1869),

Australian Landscape
watercolor on paper
signed l.l.
7" x 13" (EST $400-$600)

Condition: Matted and in nice condition, one minor spot of foxing in upper left.

Lot # 41

MARTINO DEL DON (ITALIAN, 19TH CENTURY),

View of San Angelo and St. Peters in Rome
watercolor on paper
signed and titled Roma, l.r.
13" x 19" (EST $400-$700)

Condition: Substantial repaired tears and creases, with T-shaped repair in sky, extending along upper perimeter and down left perimeter, more repairs in lower center and right side. Difficult to see with naked eye, only at close distance.

Lot # 42

GREEK STREET SCENE,

early 20th century
watercolor on paper
signature illegible l.r.
Greek label on verso identifying artist and location
6.25" x 10" (EST $250-$500)

Condition: Excellent condition.

Lot # 44

AFTER EDWARD GRUETZNER (GERMAN, 1846-1925),

Strong Tobacco
oil on panel
unsigned
inscription on verso identifying artist and title, and date, 1888
11.25" x 13.5" (EST $700-$1000)

Condition: Previously cleaned, with surface dirt.

Lot # 45

19TH CENTURY DUTCH GENRE SCENE,

oil on canvas
signature illegible l.r.
16" x 11.5" (EST $250-$400)

Condition: Wax lining and even craquelure throughout.

Lot # 46

19TH CENTURY DUTCH GENRE SCENE,

Reading the Letter
oil on canvas
unsigned
11.5" x 16" (EST $250-$400)

Condition: Wax lining, even craquelure, one flake to paint, left center.

Lot # 47

DUTCH OLD MASTER COPY BY DE HAAN,

early 20th century
oil on beveled panel
signed St. de haan, l.r.
9" x 11" (EST $500-$700)

Condition: Excellent condition.

Lot # 48

PORTRAIT OF A NUDE BY SANTO SORRENTINO

early 20th century
oil on canvas
signature illegible l.r.
29.5" x 24.5" (EST $800-$1200)

Condition: Excellent condition

Lot # 49

ITALIAN SCHOOL CITY SCENE,

Venetian Canal
19th century
oil on canvas
unsigned
13" x 15" (EST $600-$800)

Condition: Canvas laid to masonite; several scratches to canvas and some scattered inpainting.

Lot # 50

BARBIZON LANDSCAPE BY HOFFMANN,

19th century
oil on canvas
signed l.r.
8.75" x 11" (EST $300-$500)

Condition: Craquelure; canvas laid to board.

Lot # 51

AFTER FRANS SNYDERS (FLEMISH, XVI-XVII),

Boar Hunting
19th century Italian copy
oil on canvas
unsigned
outstanding carved and gilded 19th century frame with early C.A. Schwicker, Piazza Pitti frame maker's label
35.5" x 50.5"
50" x 64" (framed) (EST $2500-$4000)

Condition: Clean under blacklight.

Lot # 52

CHRISTIAN JACQUES BERARD (FRENCH, 1902-1949),

Full Length Portrait of a Dancer
oil on canvas
signed and dated 31, l.l.
exportation stamp and Parisian canvas maker's label on verso
housed in original triple-tiered gilt frame
51" x 31"

Christian Berard was an enormously influential artist in French and American theater during the 1930s and 40s, working in a variety of mediums and techniques. He worked as a fashion designer for Chanel, Ricci and Schiaparelli, and was known for his openly homosexual relationship with Boris Kochno (1904-1990), the Director of Ballett Russes. Berard's portraits from this era have been described as "dream like", and this is a rare full length example. (EST $8000-$12000)

Condition: Only a few tiny flakes to paint in lower left. The painting is in completely untouched condition. Some areas fluoresce under black light but this is due to a second finish applied by the artist.

Lot # 53

ALEXANDRE IACOVLEFF (RUSSIAN, 1887-1938),

An Irish Poet, Capri
sanguine on paper
signed and dated 1935, l.c.
title on exhibition label on verso
watermark l.r.
22" x 18.125"

Inscription l.l. The Wandering Bard, Capri. 13 Sep. 35 XIII

Inscribed poem to the artist by the sitter l.r.:
To Alexander Iacovleff:
O! Master thou hast with thy brush afire
Painted me a Bard of Apollo's lyre.-
As, a soul in the reincarnaturi state,
Teaching thus there's "to be" beyond mortal
fate-
Imaged as an Indian got of superman,
Whose soul belongs to a higher clan.
"The White Eagle"
(Poet L___s)

EXHIBITED
The Memorial Exhibition of the work of Alexandre Iacovleff (1887-1938), The Grand Central Art Galleries, Inc., New York, New York, April 11 to 29, 1939, page 19, number 28. (EST $20000-$30000)

Condition: Scott and Fowles, New York label verso deciphering inscriptions and poem. Inscribed on label As with Picasso- this painting and poet lines combine at "A methodical adventure".
A copy of the original exhibition catalogue is included with this lot.

Lot # 54

NICHOLAI ALEXANDROVICH TARKHOV (ATTRIBUTED) (RUSSIAN, 1871 - 1930)

Street Scene
oil on board
signed l.r.
20.5" x 14" (EST $1000-$2000)

Condition: Many small losses to oil, with board visible beneath, a thin horizontal scratch in upper left, extending 5"; a loss on lower right corner with board having been backed in that area; area of inpainting in upper left center.